Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
We never noticed when it started, and now it has become the rule. When our baby stands or stakes a step, he holds something in his hand; always (a wooden egg, a finger puppet, the screw top of a water bottle). That is easy to interpret, we think, because it’s obvious. The baby is holding on to something that he himself is holding. This ability has survived in us (you, me) to a much greater degree than we thought at first. Our surprise dissolves in the observation of our own proximity to objects: how often we hold something in our hand without noticing, how often we reach for things while reading, thinking, speaking, how often we forget what is in our hand. So finally, we think, we have (finally) found something in which we are very similar, perhaps even equal, to our baby, our master. But sooner than we would like, we recognize our error. Our holding on is insecurity, our baby’s holding on is security. Somewhat desperately we look over to him, he sees our plight and shows us what he is holding. Shows it to us briefly, as though to concede the object to us, and instantly we feel our urge to reach for it, but he has already lowered his arm. As if by doing that he had very briefly shown, told, revealed to us: that’s it, just that!
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
And then our baby stands there, just stands there. So clearly upright, unbent, unencumbered (though he does seem to sway a little, but maybe this impression is misleading), that we can only marvel (no acrobatic stunt, no feat of physical prowess practiced a thousand times would astonish us more). It is (again) the perfection of the beginning. Perfect standing, without previous practice, just a few attempts that are more directed at determining the right moment and exploring the space. Not even the observation of our standing (as a model) is of any significance. With his standing, our baby has surprised us more than himself. He stands as if as a matter of course and seeks nothing less than our approval and our applause (though he has no objection to either). Then we notice that every time he stands, stands there, he is holding something in his hand (a wooden egg, a finger puppet, the screw top of a water bottle), but this, we notice, is a different theme (not entirely different, a connection with his standing does suggest itself), but if we were to look into it more closely, the moment of staying in a standing position (which the baby knows how to stretch interminably), the moment that precedes the step, that heralds it, or doesn’t, would escape us: Here, then, is where we stand.
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
It was a long day for the two of us (the baby, me) while you had all but disappeared in the big city (which offers you good work). You haven’t come home yet when I put our baby to bed in the pastoral inn where we’re staying. The mood of my evening conversation with its director about bright and dark church interiors settles like a silk cloth over the sight that holds my attention: the closing of our tired baby’s eye. From above I observe this silent movement, the way the fan of long lashes along the edge of the lid’s half-moon sinks in a single smooth arc, bobs up again, then a second time with less amplitude, and then remains closed (truly a gate which — inaudibly, but with great force — falls into its lock). Light and dark, set apart by no more than this membrane of delicate skin, a symbol I cannot resist, because it has no intention of being that.
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Back (again) in the rich city (each time it feels a little more like a return) we (the baby, I) find access to the dome via the residence, while you linger in front a painting downstairs (as if spellbound, captivated, stunned). Our path takes us to the gallery, and up there we listen (myself sitting on a stoop next to the organ, the baby leaning against my breast) to a Mass. We are moved by the grave chant of the chorus, but then even more by the sudden motion of the worshippers rising to their feet and streaming toward the altar to receive communion. It appears to me as if all these souls were collectively breaking out of their cage, I feel the blood in my heart and intense emotion and the sense of a strangely sad gaze resting upon me. Then I realize that our baby is lying on the altar down there and being distributed, but before I can make out the details, I am already falling out of this uncanny dream.
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box
Das erste Jahr Babybuddha jetzt auf:
http://www.hanser-literaturverlage.de/verlage/hanser-box